| Alexander Millar says ' I love the movement of the street drunk; however he remains a difficult subject to paint – never staying still for any length of time. The real skill comes in trying to capture the just off centre stance of these vertically challenged individuals. The gossiping old ladies standing on street corners, the tired old guy wandering home after a long hard day at work and the wee dog cocking its leg against the street corner are all appealing and interesting to me. I see them all as different choreographed parts in a sort of street ballet'. |
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